Everybody wants to be william eggleston
Why does Eggleston’s early work still look so good?
Diane Arbus and the Art of Exchange
Getting to the core of Arbus’s photographic compulsions
Gregory Crewdson Searches for Salvation
On finding inspiration in the woods and learning to compromise
In Defense of Flash: A Homage to Harsh Lighting
How flash transcended genres to become one of the most divisive and distinctive features in photography.
Creating a Photo Market Afterlife
When it comes to the blank slate of work by a dead or barely known photographer, the mechanics of the market work a little differently.